details of pure

asks for ketchup on the spaghetti at dinner  - regress to youth comforts

the cigarettes are smoked only after, Adam and , but after the end to

him saying you look fine, when she finally got new clothes (dressier, more "mature"), her clothes before (childish, plain and shapeless), but then the biggest extreme at the bar (super dressy)

in the last act when she's crying against her mom in the hospital who asked "are you here" and she means physically but also mentally (reality wise)

all the little girls in awe of the concerto music (le double vie de Veronique scene with the puppets), protagonist unfazed that Adam is gone

does accurate representation of mental illness in film have to be extreme for one to "get it"
does the protagonist have to also be their antagonist for one to "believe it"

funny how those are in question for advocates of neurosis being few and far between
not funny how these questions are contemplated by those dealing with the illness

vulnerability:: personal validity vs society's validity

it was never Adam as person but Adam as catalyst--symphony music being the

hated how real the mocking scene was, how not-obvious it usually is, how unaware the protagonist and maybe antagonist at that point was.

keep wondering whether or not it's only easy to lie when faced with your desires,
easy to tell the truth if it's not something you imbibe as the same thing--that thing